(dramatic music)
7 Warm were his eyes now they're all cold &
I That's why my cries can't be controlled &
I He wasn't just another toy &
7 Another toy you love and then destroy /
7 Tell me who killed Teddy Bear &
1 Doesn't anybody care
7 That I miss him &
7 Now I'm alone lost in the world /
2 He cared for me the best he could &
1 He can control my horrid dreams J
J His little sawdust heart torn up the seams &
I Tell me &
(suspenseful music}
(screams) {thudding)
7 Tell me who killed Teddy Bear &
1 Doesn't anybody care
(alarm ringing}
{lighter clicks)
{phone clicks)
{phone line buzzing) (phone whirring)
{phone ringing)
- Hello?
Hello?
S there someone there?
(phone clatters)
{phone line buzzing) (phone whirring)
{phone ringing)
Hello?
Look I know there's someone there
and it's six o'clock in the morning.
- [Man] 1, I know, I know you don't know me
but I know you very well.
- Who is this?
- [Man] I know what you look like right now.
L can see your skin--
-1 don't have o listen to that!
Go sober up!
(phone clatters)
{chattering) {upbeat music)
I Born to be bad that's what they say I
I And everyone warned you to keep away J
I come from the slums brought up with bums 2
1 Thought you'd be bad
7 Thought you'd be bad yeah leap on tyres
7 But I'm gonna work and get some cash J
' 'Cause I got a plan to be a big man J
J Il do it for you &
I So give me your hand and stand by me through rain or shine
I Get on the run better baby if I know you're mine &
I I love you be bad that's what they said J
7 But they're gonna come that happy day &
I 'l make you so proud and we'll show the crowd &
J I'm not gone [
I Won't you be bad J
I So give me you're hand and stand by me J
7 It could have been me walking by your side
J It could have been me but oh girl I lied &
7 And cheated on you J
- You didn't answer me.
What do you say?
L just wanna borrow it
Maybe rent it if I have to.
- Oh Miss Freeman, it seems like there might be some trouble
at the record bar.
- No needle right?
L thought a cover charge would keep those bums outta here.
- Well, sometimes people just don't know what to do
with their money.
- Well I don't want you to have that problem Lawrence
50 I tell you what you do,
you do a little waiting on table okay?
- Okay.
2 Set me free it could've been me &
- Thank you.
Where's Carlo?
- In the kitchen do you want him?
He's eating.
- No, no let him finish.
- The poor guy hasn't much to do around here.
Not like the old place.
- Lock, I'll tell you what you do,
you stick to your french accent and the reservations,
is that a deal?
(speaking foreign language}
- That's right.
Nora why don't you take your break now.
It's your turn in the barrel Cookie.
- Yes ma'am.
- And Cookie, keep 'em dancing huh?
- Yes ma'am.
- Thanks Marion, that was some creep.
- You gotta learn to handle 'em baby
if you're gonna make it in show biz
you're gonna run into some pretty weird types.
Of course that is assuming you mean to make it on your feet,
so to speak, sorry no offence.
(giggles)
- Well you'd be surprised what happens outside of New York,
even in Rochester.
No to tell you the truth in the three months I've been here
no one's brought it up.
That is unless you count what happened this morning.
Some crazy drunk got me on the phone.
- Well I must say I think you're stupid living in that silly
walk up all by yourself.
- You know what he said was pretty raw.
Raw enough but it was the way he said it.
{beeps)
- Carlo 'm looking all over for you.
Did you have your dinner?
Well come on then there's a guy
I want you to keep an eye on.
It's alright Nora you can stay here
and finish your cigarette.
{phone ringing)
- Hello?
Hello?
(phone clatters)
Oh I'm sorry I didn't know you were in here.
- It's alright.
- Well I guess it couldn't have been very important.
You know you look very tired.
- Iam.
- Well I hope you don't mind my saying so.
- No of course not.
- Well Marion said you were on TV.
- Oh you should have seen it.
It was this big, it was nothing really.
- Well look it's a beginning.
Next time you'll do better.
- By the way my name's Nora.
- Yeah I know.
Yeah and I'm Lawrence.
7 You're mine &
7 I'm born to be bad that's what they say &
7 But they're gonna come that happy day &
I 'l make you so proud and we'll show the crowd &
- Usually goes around and round sweetie.
You know where it comes out?
Hey, you know where it comes out?
It comes out here.
- Look why don't you do us both a favour and give up.
- Hey I'm hungry, you hungry?
Let me buy you a frankfurter.
- Through the back.
- [Customer] Hey let go!
Let go!
Ow! Let go! Ow!
Let go of me!
Ow! Let go of me ya punk!
Ow!
{blade snicks) {ominous music}
♪ Movin' round from town to town ♪
1 Every day's like every night &
I No one or nothing ever hangs me up &
J I always try to travel light &
7 Toothbrush and comb &
J That's all I need &
I Any place I go is home &
I My friends all work from dawn to dark &
1 They struggle til it's time to die &
2 Their backs ache so from bending low &
I They haven't got to see the sky /
7 Toothbrush and comb &
7 Yeah now toothbrush and comb &
J That's all I need &
I Any place I go is home &
I My daddy always told me not to settle down &
& 'Cause there's a lot of world to see &
J He said don't tie your hands and a strap your soul &
2 Til you find your destiny &
7 Toothbrush and comb &
J Oh toothbrush and comb &
J That's all I need &
I Any place I go is home &
- And I see because of the reflection of the lamp
that the guy is coming at me again
so I turn and sidestep and spin him
and he falls and makes this funny noise.
And when I turn him over he has a knife in his chest,
I don't know I'm cut until I pass out inside.
S this your statement?
Okay Carlo, put your Johnny Hancock right down here.
- Just write your name sweetie.
- We're almost finished lieutenant.
- Well the hospital finally called.
The guy was lucky and so's this monkey.
You gotta be a little neater Carlo.
L could have been home two hours ago.
- It was an accident.
- And look at him, I thought he can't hear.
- Well you see he reads lips.
- Uh huh maybe he can talk too if he wants to.
- I've known them a long time Dave,
they had a joint in the village.
- Okay book 'em.
- What do you mean book 'em?
It was an accident baby look at the statement.
- Ch my day is over Louise,
you can talk to the district attorney's office.
- [Officer] Marion they may not charge him
anyway you can get bail for him in the morning.
- Hey about this other girl, is she a tramp?
- Oh wait just a minute who the hell do you think you are?
- Take it easy Marion--
- Take it easy?
I'll take it to the commissioner.
Manners from a cop I don't expect
but you abuse the privilege.
- Is the girl a tramp?
- No she's clean.
- Thank you for coming down.
- Oh it was my pleasure.
- Will you see that she gets home?
- How about dropping the other girl?
She lives right near you.
-1 saw, put her in a cab.
- Wyatt boy's there.
How's your little girl?
- Oh fine.
- Is it alright if I wait here?
The other man said something about a cab?
- Sure, in front.
- Miss Dane.
L understand you received a threatening telephone call.
- No, not exactly threatening.
It's alright, really.
- Anything you say.
I'll check that address for you.
- What's the matter with you
as long as you're here why didn't you tell him?
- And spend another hour filling in forms?
No thanks.
I'm tired Marion.
- Miss Freeman.
- I'm just trying to help you.
- What did he mean threatening?
- Nothing, just some foul mouth drunk.
- The guy you had trouble with tonight?
- No, no.
- Do you get these calls often?
- Do you mean do I imagine them, hear voices,
see burglars under my bed maybe?
- Do you get these calls often?
- No this was the first one.
Look I was gonna report it but it's just a phone call.
- Yeah.
I was the one who called you this morning.
- {scoffs) Ch I don't believe you.
- Well can you swear it wasn't me?
- Well what kind of a question is that?
What are you trying to do?
Scare me?
- I'm suggesting it could be somebody you know.
Nobody's inviolate, including virgins.
- Suddenly my sex life has become the topic of conversation.
L don't think you're in the least bit amusing lieutenant
what ever your problem is.
- Come on, I'll drive you home.
- Not if I were bleeding in the street!
(lighthearted music)
- [Dave] Goodnight Miss Dane.
(lighthearted music)
{phone ringing)
- Hello.
Oh it's you.
Yeah I just got in a little while ago.
Oh by the way did you get a chance to see him?
Yeah?
' Oh no it be alright Marion 'm sure..
Say Marion listen I'm pretty tired,
can we talk about this tomorrow?
Okay, yeah you bet.
Bye.
(phone clatters)
{ominous chord} {ominous music}
{phone clatters) {phone whirring)
{phone rings)
Hello.
- [Man] Hello my love.
L wanna talk to you.
- Look mister I don't know how you got my telephone number
or what you think can possibly happen by your calling me.
-[Man] I'm a man and I,
I will make you feel like a real woman.
- You're sick you know that?
You're really sick!
Look why don't you just hang up and leave me alone.
- [Man] I know you so well.
L know every inch of you so well.
L know every area-
- Now lock here you shut up!
I've already told the police about you.
- [Man] You'll never let me alone.
Nora, I wanna caress your skin.
- Why did you call me Nora?
- [Man] Oh Nora my love.
I wanna rip, rip your clothes Nora.
{phone clicks)
(dramatic music)
- [Woman] Mommy, daddy!
My window's open and my dolly says she's cold,
she can't sleep.
- Well he knew my name,
my number and my name.
- [Dave] You're listed aren't you?
- That's just it, I'm not.
This is a sublet, the girl's a dancer on tour
with the national company for six months.
- You know anything about her, her friends?
- Well she was recommended to me by a friend of our family.
And she seems to be a very nice, normal girl.
Oh lieutenant what should I do?
- Change the number.
- L can't, it's not mine.
L can't just cut her off from her life.
- That's very nice of you.
I see that they include it in the eulogy.
- Hey wait a minute, you said that he gets his kicks
just out of listening to me react.
- L said most of the time.
With them you don't get a guarantee.
Why should they be different?
Nothing lasts, nothing's safe.
There's no protection and rules.
- Thanks a lot.
- Now what do you want?
A fairy tale?
That's the way it is, accept it
and maybe you'll live to enjoy
well whatever it is you wanna enjoy.
- Would you like a piece of cake?
- Sure.
- L think you're wrong you know.
Maybe in your business you do have to think that way
but somethings do last, and by rules.
- Well we were discussing the telephone psychotic
which is generic like saying animal,
it's a beginning period,
then you start to break it down.
Lion, giraffe, mouse.
- That was no mouse that called me.
- Some are fetishists, some are sadists,
some are masochists,
then there are the simple voyeurs, the pedophiliacs
but even that's too neat, to much like rules,
50 we have the combinations
and I'm not talking about your uncle Charlie
who buys pin up calendars,
I mean the complicated pairing, the sado masochist,
the voyeur masochist, the exhibitionist, the necrophiliacs.
- You seem to know a lot about these things.
- Some one should.
- In the meantime what happens?
Couldn't you trace his calls or something?
- Think you could keep him on the phone
for about six minutes?
- L could fry.
- You might invest in a police lock
and get someone to stay with you.
- You're saying that he might come up here.
- If knew what he was going to do
then I'd be him wouldn't I?
(dramatic music)
{engine rumbling}
(dramatic music)
{water splashing) {dramatic music)
{ominous chord)
- Pam?
Oh hello sweetheart.
- Daddy you're home.
- Where's Miss Neilson?
- I'm here lieutenant, you don't have to worry about
my being here, goodnight.
- [Dave] Goodnight.
- Goodnight baby see you in the morning.
- Goodnight.
Gee I'm glad you're home.
- Are you honey?
I'm glad.
- You're very late tonight daddy.
At a vehicular homicide?
- L know, I'm sorry.
Well bedtime Pam.
- Oh gee dad you just got home.
- Now look I've got something important to do,
try to understand huh, please?
- Sure, goodnight daddy.
- Goodnight honey, sleep tight.
- Goodnight.
(clicking}
- [Dave Recording] B127 July Mrs. Rachel Marvin housewife
file three telephone.
- [Rachel Recording] I assumed it was somebody I knew
or just, I said yes who is this?
And there was another moment of silence
and he said you are the blond Mrs. Marvin aren't you?
And I said oh come on who is this?
And he said did anyone ever tell you how great you look
in bermuda shorts?
- [Dave Recording] Well then what happened?
What did he say?
- [Rachel Recording] He, ah, said he'd like to meet me
for a drive in the country.
- [Dave Recording] Did he go further than that?
Did he...
- [Rachel Recording] Yes he said once we gt to the country
what he intended to do.
- [Dave Recording] I see.
- [Rachel Recording] He was saying those ugly things.
L wanna tell you my husband, he don't talk that way
and he's my husband.
- [Dave Recording] Number 207 Wendy Solomon student.
- [Wendy Recording] I mean there I was alone with my baby
sister and he was saying all those terrible things
and I didn't know when the folks were coming back
and I was screaming and 1 think maybe I fainted.
L pushed the couch against the door
and I took the bread knife to bed with me.
L didn't go to school for two days.
But he sounded like such a scabby old man.
- [Dave Recording] Had you ever heard this language before
used by anyone?
- [Wendy Recording] Well in school you know.
But not like the way he said it.
- [Dave Recording] That was three days ago,
have you had any more phone calls?
- [Wendy Recording] No nothing,
but my mother said once during the day,
when I wasn't there it rang and then someone hang up,
just when she answered the phone.
- [Dave Recording] Well it was probably a random caller
and it won't happen again.
7 Won't you be mine
- Oh look at the one in red, the blond.
I So give me your hand and stand by me J
J Through rain or shine J
J I can own the world with you baby is mine &
Madam, Monsieur this way please.
7 I'm born to be bad that's what they say &
7 But they're gonna come that happy day &
- He wouldn't leave a message.
1 think it's important sounds like a job.
- Let's hope so.
Hello?
- [Marion] Make it fast will you darling?
- Yep, hello?
- [Man] Nora, Nora I was right about your body.
You are beautiful in that little bikini you wore.
- What do you want from me?
- [Man] I wanted to reach out and touch you today
Nora don't you see?
I'm with you every where.
You look so beautiful, your skin-
(phone clatters)
- It was that nut right?
I'm sorry I didn't know.
- He must've been following me
because he knows where I've been all day.
- Nora I don't think you oughta go home tonight.
L mean, alone anywhere.
- No.
- Well for a couple of days you can,
you can stay at my place.
Maybe by that time those dumb cops
will figure something out.
- No I'd like to go home Marion, I mean now.
- I's your life.
I'll get Carlo to take you.
- No, no!
Nobody.
I'll be alright.
7 Toothbrush and comb &
J Oh toothbrush and comb &
7 That's all I need any place I go is home J
(dramatic chord) (gasps)
That's what happened when I touched it.
- And no one you know could have left it?
- No, that's why I called you.
- Easy does it Miss Dane.
- If's just that I'm just a little shaky.
S that all?
- It's all we need for now.
We're putting a tap in just in case.
Now if he calls make sure you keep him on the phone
as long as you can.
- He knew exactly where I was.
- L know, you told us.
We'll have a line cut in for 36 hours.
- But suppose, suppose he doesn't call?
- I'm sorry that's all we can do for now.
L suggest you try and relax Miss Dane.
- Oh, I'll be alright.
- No sign of a jimmy.
- Of course with a sublet like this you never know
how many people have a key.
- No!
L mean she would've told me.
- You don't need one for this.
Aloid could spring it easy.
- What's that?
- A thin piece of stiff celluloid.
A 10 year old kid can use it.
All he has to do is--
- Ah, if you're finished Frank...
- Ch sure.
- We'll take this down to the lab
and maybe they'll find something.
- L feel so vulnerable,
you know, knowing that he could come in any time.
- Excuse me but you don't really know it was him.
Oh we'll report it and all
but there's no proof of any felony.
- What kind of proof do you want?
Me lying on the floor?
- Take it easy, suppose we let Miss Dane get some rest.
- Hey lieutenant, what's up.
- Good morning Dave.
- Well I saw the car downstairs, Lou filled me in.
- You seem to keep show business hours lieutenant
even on your day off.
- You lock like you could use a drink.
- You have a kid Dave.
They don't make them like this anymore do they?
- Mouldy isn't it?
- What does it mean?
- Well it must mean something to whoever left it here.
- Well we'll see you again Miss Dane.
- Goodnight Miss Dane.
- Goodnight.
- I thought you might have a lead Dave.
When Miss Dane called tonight she asked for you.
- Oh?
- She was under the impression that the squad was handling
the telephone calls.
- I'm handling it personally.
- Okay Dave, see you later.
- Goodnight.
- I'm kind of tired lieutenant.
- Oh now don't be funny please.
You look like you're ready to climb the walls.
I'm gonna fix you a drink
and I want you o tell me all about that phone call
and see that you get that drink down.
Ah here's the booze.
Old doc Madden's magic elixir.
- L could almost believe you.
Make yourself one.
- Oh I'm way ahead of you.
- Well, I guess I might as well go change.
- Technically I'm off duty right?
So why not I say?
- What?
L can't hear you.
- L say nostrovia!
- Oh.
- Who bought this stuff?
You?
- No it was here when I moved in.
Why?
- Well it says on the bottle brewed by the house of Borgia.
Oh wait a minute there's some small print.
For external use only.
- Oh well it sounds pretty good to me.
- Well coming right up.
- Oh make mine with water.
- Haven't you had enough chlorine for one day?
(dramatic chord)
Ah but you've had enough day for one day.
Running around the way you do, is it worth it?
Grabbing coffee and a hamburger, what kind of lunch is that?
- L had a steak for lunch.
- Ch some steak, lady you're no 10 year old,
you need your energy.
In and out of theatres and to top it off
spending a whole hour making like Johnny Wisemiller.
Correction Ester Williams.
I'm sorry, 'l wait in the other room.
Here's your drink.
- Oh no thank you.
Look, I'm feeling very tired,
would you mind going please?
- What's the matter with you?
- Nothing, I, I just gota little startled when you came
to the door.
- What's going on in that head of yours?
- L told you I'm just a little tired.
- You think because I have a drink with you
I'm gonna wrestle you around the room.
Every scrawny broad thinks she's the only entrusted with
the crown jewels and that she'll die if she lose them.
Not that you're so scrawny.
And you're not a broad either are you?
- Stay away from me.
- L think you're flipping--
- I'll kill you if you come near me.
- What's the matter--
- Don't touch me!
Don't you dare touch me!
All your talk about perversions.
[t was yourself you were talking about.
Get outta here!
- Nora!
- Get outta here!
L don't care what your problem is
and I don't care if you are sick
to me you're an animal, you with a wife and a child at home
you're & dirty, disgusting animal!
- Animal?
- Leave me alone!
- Animal? Animal?
Don't you put me in their class, not me!
(dramatic music)
Do you like to go to the movies?
Well three years ago my wife went to a movie,
it was just down the block from where we lived.
She never came home.
They found her the next morning just before day break,
she was behind a staircase
in the basement of an old building.
She'd been raped, mutilated, horribly mutilated.
They told me he'd done that after she was dead.
If 1 could only believe that.
Well they never found him,
at least no one who ever admitted to it.
- I'm sorry.
- So I could tell you anything you wanna know
about perverts and degenerates.
I've gone 10 steps beyond any psychiatrist.
I've catalogued the condition of their teeth
and the type of soap they use when they shave
and it's paid off, believe me it's paid off good.
The only record I don't have
is how many of 'em I've sent away.
{phone ringing)
Answer t.
Answer it and if it's him don't hang up
no matter what he says.
Do you understand?
Do it and make a date with him.
{phone ringing)
- Hello?
Yes well I, 1 was on edge then.
Yes, yes, I'm, I'm very much more relaxed now.
But I don't understand you, I still can't hear you.
Hello?
(phone clatters)
He hung up.
{phone clicking)
- Lou, Dave Madden.
Did you get it?
Good.
(phone clatters)
- He started off the way he usually does
and then, I don't know, something must've happened,
he started shouting and...
I couldn't make out what he said.
- It's alright we have the tape.
Look I wanna speak frankly,
believe me I don't wanna frighten you.
There was a case in Utah about six months ago,
a similar pattern.
I'm afraid he's not gonna be satisfied
with the telephone anymore.
- Whatever you say.
- Well tomorrow see if you can get someone to stay with you.
At least a week to make sure.
- Well what happens tonight?
- The easiest would be my place.
- Easy for who?
- You said you were tired.
- You know, there's somethings a girl prefers
to pick out herself.
And high on the list, right underneath lipstick,
is a bed partner and it's not really funny.
- Well tell me does my 10 year old daughter
get to make the same choice?
{gentle music)
- I'll get my toothbrush.
{gentle music)
- Hey do you always keep this shade up?
- [Nora] Well who's gonna see me?
A peeping brick?
(suspenseful music}
- I wonder what set him off?
(suspenseful music}
{match strikes) (dramatic chord)
- You ready?
You wanna see?
L put it on all by myself.
Oh Lar, Lar it's a beautifully, gorgeous birthday present
almost nicer than the cake.
Only I, I didn't do the buttons to good.
- No you did fine Edie, you did fine.
Here, it's gonna lock very pretty.
Now Edie come on don't cry.
Come on, it looks very nice, now here.
Edie come on don't cry.
Shhh, Edie come on don't you,
look didn't you like the birthday cake
with all the candles on it?
(crying}
I St stivn. I.
Edie, look at the nice present that you have.
' Shin, come on shin. .
Edie come on don't cry.
There's nothing to cry about is there huh?
- You, you promised me.
You, you promised me a new teddy bear.
- Edie--
- Where's mine Lar?
What happened to mine?
- Edie now come on.
(crying}
Edie stop crying.
Please, please?
- L miss him Lar, I miss him.
L loved him so much.
What happened to him?
- Edie look I told you a long time ago.
He was in an accident a long time ago.
- He died didn't he?
L forgot.
- It was an accident Edie.
- Who did it?
Lar you're my brother, you should tell me.
Who killed him?
Lar, Lar how did teddy die?
- Please Edie, now come on, stop it.
Edie come on.
Shh.
(crying}
I told you Edie a long time ago it was an accident.
(eerie music)
(screams) {thudding)
(eerie music)
- She's very pretty.
S she a hooker?
- No, she's not what, what you said.
- Well how long is she gonna stay?
It's Saturday.
- Now don't worry honey.
We'll go to the zoo, I didn't forget.
It's only 10 o'clock.
- Well then I think I'll have me a bath, tata.
- Well now you didn't have to do the dishes.
- Oh?
L don't recall you mentioning that before I started them.
You know something?
L feel very relaxed here.
- Well good, Pam wants you to come to the zoo with us
this afternoon.
- Oh, you are a liar lieutenant.
- Dave.
- You're still a liar Dave.
- Pam.
- [Pam] Yes daddy?
- Ch no, no don't put her on the spot.
Okay, I'll come with you.
- Never mind honey.
The answer is yes, she knows all about it
and no it doesn't bother her, okay?
- Look you don't have to defend yourself to me.
- I old you once, no one is invulnerable.
- One day she's gonna go on a date
and when he brings her home he'll want to kiss her goodnight
what do you suppose will happen?
Oh I'm sorry Dave but a child's life is being free,
living in a world of sunshine.
- Do you wanna hear it?
Catalogue A17 Nora Dane actress.
Telephone calls--
- Alright, maybe I am scared now
but not when I was eight and not when I was 18
and even now, in spite of this,
I'm not gonna shut out the world,
I'm not gonna be forced to become
something that has to run and hide in comers.
Not by him and not by you.
- Nora, would you come to the zoo with us this afternoon?
(lighthearted music)
(chickens clucking) (lighthearted music)
{rooster crows) (light hearted music}
(pigs snorting) (lighthearted music)
(ducks quacking) (lighthearted music)
(clinking}
(lighthearted music)
(ducks quacking) (lighthearted music)
- Oh Edie where'd you get that?
- It's mine!
- No Edie we left yours at home remember?
Oh s this yours?
Here.
- Hey Larry I don't believe it.
- Hi.
- L said you were full of surprises.
Oh this is Dave Madden, Larry Sherman
he works at the discotheque.
- Looks like we're all night people here today.
My daughter Pam.
- Hi.
- [Nora] This your sister?
- Edie.
- Yesterday was my birthday, I got a new dress.
- That's very nice.
- L put it on all by myself.
- Yeah, we've got an appointment and we're late.
It was nice meeting you.
- Here.
- Come on Edie.
- She's nice, I like her.
- You act so funny Lar like when mommy and daddy went away.
- Well they didn't go away they died.
- They did to go away.
They went away after they died.
- Look Edie will you go play or something?
Look I'll get you your puzzles
and you can play with your puzzles.
Now you want me to get your puzzles down for you Edie?
- Why can't I stay here with you?
You know what Mrs. Shultz said?
She said that I need a different brassier
so it won't hurt me.
She says that I'm pretty.
- Well look you're not to go down their again
you understand that?
- L have to.
She said thank God child you're pretty.
- Where did you get those shoes?
Where did you get them Edie?
- She borrowed them to me.
- Well you take them off tight now you understand me?
- But they don't, but they don't hurt honest.
- Listen to me you take them off.
(cries out}
Oh well now you look at yourself Edie, look at yourself.
You look like a whore!
Button up!
- No! No!
- Oh Edie I don't ever want o see you
wear these things again.
- No!
- Edie now you listen to me,
I don't wanna see you wearing those things again,
I don't wanna see you dressing up like this
and where did you get all that stuff on your face?
Edie you're not to wear this anymore.
Do you understand me?
L don't wanna see you dressing up like that.
Well not you!
You let the others wear it.
You let the others dress up.
The ones that wanna tease you
and the ones that they wanna lead you on
and they wanna tear your guts out.
Not you Edie, not you.
- L liked the shoes.
- Edie, Edie listen to me,
listen to me will ya.
You, you're...
Edie it's not your fault
but the way you are you can'...
Edie you can't act like this do you understand me?
Tell me you do, do you understand me huh?
(giggles)
{mumbles) {cries out)
{door bangs)
- Like what Lar?
- Ike we're a man short tonight,
Lawrence phoned in sick.
- You wouldn't need him tonight.
- 1 dig.
- We got a new carton of 45's in today.
- Hmm, I noticed.
I haven't had a chance to check on those yet.
Did you get the key?
- L was just gonna ask you.
- Oh it's in an envelope in your middle drawer.
Why don't we go home together?
- It suits me.
- [Nora] We could share a cab.
- Are you sure you don't mind waiting?
Closing sometimes takes forever.
- What do you mean mind?
I'm very grateful that you're coming along.
- Don't be silly.
See what you can do about that music
or we won't last until closing.
I've seen dead nights in this joint
but this is ridiculous.
(dramatic music)
- Oh Marian why don't you use my robe?
- Ch don't be silly, you'll freeze to death.
I'll wear your coat, I dig fur anyway.
You know when I was a kid I used to cry
because the blanket was too rough.
L used to cry like the devil
and beg my mom to buy me a fur blanket
are you ready for that?
{laughing}
I dig soft things, don't you?
- Mmhmm.
{gentle music)
(dramatic music)
- Can't trace a few crank calls.
How about those cops?
- [Nora] Well he hangs up too soon.
- Funny thing.
Cop can see through a wall,
tap your phone with an old razor blade
but he can't figure out a way to rap a stupid moron.
- Well it, it could be a technical problem after...
After all there are a lot of telephones in the city.
- Baloney.
You know what I think?
L think there's a little bit of this jerk in every guy
including the cops,
maybe they've all got a guilty conscience.
{phone ringing)
Now let me get that.
- No! Wait!
- He doesn't scare me.
- Let it go.
{phone ringing)
- Nora, maybe it's a wrong number.
- It doesn't matter.
{phone ringing)
Just stay with me please.
Where I can see you.
{phone ringing)
I'm gonna die Marian, he's gonna kill me I just know it.
{sobbing)
- Don't talk like that baby, don't.
- I'm so tired of running
and wondering how and when it's gonna happen.
- Look stop it!
Now stop it!
-1 don't know what he wants.
1 don't know why he would want to kill me.
L keep imagining all kinds of terrible things (sobbing).
- Oh come on, come on, that's it,
let it out honey get rid of it.
Oh baby shh, that's right.
That's a baby, that's a good baby.
{sobbing)
Come on let it all out.
It won't do you any good inside, come on let it all out.
It just make you sick.
Put your arms around me and cry Nora, go ahead.
That's a baby.
Just a sweet baby, that's a good baby.
That's a sweet baby.
That's a good baby.
That's my baby.
Come on, let it go.
Come on, I wouldn't let anybody hurt you.
No body's gonna do a thing to you while I'm ar--
What's that?
What's the matter?
Something wrong Nora?
- No, nothing, nothing.
L just felt...
Oh it was nothing.
- You can tell me Nora, you can tell me anything.
- Look Marian l...
Get outta here please.
- I don't get it sweetie.
- Look I maybe wrong and if I am Il apologise
but I think it'd be much better if you just go right now.
- Yeah but I don't under...
I don't understand.
- Get out of here please.
- Look doll baby I think there's something
the matter with you, I think you're sick.
L think those telephone voices of yours
maybe they don't exist, maybe you drummed that up too.
L went out of my way to be nice to you.
- Maybe too nice.
- You're all wrong baby.
- If Lam [ apologise.
- Ch yeah?
I'll look forward to it.
(door slams}
(suspenseful music}
- Nora watt}
(suspenseful music}
Nora wait!
(suspenseful music}
(banging) (suspenseful music}
(dramatic music)
- You said we'd never be seeing you again Adler.
- L meant it lieutenant.
I mean tell me they pick me up for something?
L got caught doing something?
No.
Something about a stocking right?
Some guy did it to a woman
and ripped off her stockings right?
So get Adler, everybody knows Adler likes stockings.
Get Adler!
- How are things in Green Paint Sutter?
- Hey this is a big mistake.
I'm not a stocking man, maybe him but not me.
You should know that lieutenant.
- L know.
Dresses and hats right Sutter?
Silk dresses and big fruity hats right?
- Right.
- Sure I knew that.
- Then why'd you make them pick me up for stockings?
- Because I thought maybe you'd changed your diet.
- [Adler] Yeah it's a big joke to you right?
Well who do we hurt with our special likes?
- Where do you think we got your address?
In the phone book?
Do you remember Wood Haven?
- Oh well, millions of women in the city
why do you suppose we choose this one
and not that one?
Because we can tell that's why.
Like a cat or a dog, we can tell.
- Shut up Adler.
- These broads are looking for it.
But they gotta blame somebody right?
Gotta yell rape.
Rape! Rape! Rape!
That way they stay clean right?
That way they get it and they stay clean.
- Put'em on ice.
- Dave, this belongs to homicide not us.
- So we save them the trouble.
Go on hook 'em.
- On what charge?
- New York penal law, article 16 section 197.
- Davy I can't do that.
- No dangerous animal permitted to roam the city streets.
- I guess you know they've been sending weekly sheets
on you downtown.
- Yeah I heard.
- Can't you see?
That junk you got in your apartment,
did it help you in anyway?
Or did it just help a 10 year old kid
talk like a vice squad detective?
Dave you're aver the line, you've gone over.
- What do you mean?
- You've joined them.
- Who?
The animals?
- We're all animals Dave.
The line I mean divides the sick from the well.
(dramatic music)
(door slams}
- Lar?
(dramatic music)
{water splashing)
- Hit
- Hiya.
- Ch boy.
Here you wanna use it?
- Thanks.
- [Nora] I didn't know that you came here.
- Oh, well I work out in the gym upstairs.
- I think everybody should work out.
You have a very nice body.
- Well I like to work out.
- L don't like it when men let themselves get fat.
It's nice around here without anybody isn't it?
- Well actually you know it doesn't get crowded until
about 5:30, that's when everybody's off from work.
- Uh huh.
You gonna go to work tonight?
- Well I don't know, I guess I'd better.
What about you, you think you might go?
- Probably.
How's your sister?
- Oh she's fine.
- She's very sweet.
How old is she?
- Huh?
- How old is she?
- She's 19.
- L remember when I was 19,
that's when I decided I was gonna take the world by storm
and become a big star.
I used to have to travel up and down to New York everyday
and started off by taking acting lessons...
(eerie music)
And then at the first audition I went to they said
do you sing?
So then I started taking singing lessons
and then another audition they said oh that's fine
but do you dance?
(eerie music)
The guys said to me oh we like everything you do
but you're just not the right type.
Lawrence?
Hey you haven't listened to a word I've been saying to you.
Come on let's go swim huh?
{water splashing)
- I'll help Miss Nielsen with the dishes.
- Good girl.
L oughta slug you.
You weren't supposed to leave the apartment.
- Well I had to get out.
You know I was thinking Dave,
if I hadn't sent Marian out last night--
- Oh now stop it, come on.
Now how are you gonna get home after work tonight huh?
- Wells Fargo is sending an armoured truck.
- Oh I'm laughing.
- Oh come on now.
You know if he was really out to get me
he's had a million chances.
- Yeah.
- 'L get Michelle to take me home okay?
- Okay and call me as socon as you get to the club.
- L just wish you wouldn't worry so much.
Especially about me.
- Look I don't give a damn what happens to you.
- Yeah, I know.
Goodnight.
- Goodnight.
- [Dave Recording] Well how'd he sound as if he knew you?
- [Woman Recording] In a strange sort of a way,
he was familiar.
- [Dave Recording] Did he use your name?
- [Woman Recording] The words threw me
and beyond that I can't remember.
(humming)
- Night Sam.
(humming)
- Business as usual tonight.
- Better than usual.
- L guess we're gonna have to look for some other jobs.
Oh Nora.
- Hmm?
- Would you like a cigarette?
- No, no thank you.
Are you gonna go back to teaching dance?
- No thanks.
Anyway Marian only worked for the owners,
1 don't think they'll close the club.
- Well that's good.
That's good cause I like it here.
- L bet you do.
Watching all those young chicks.
Don't think I haven't noticed you and Michelle.
- Maybe him, not me, no.
- Oh, well now there's nothing wrong with it,
I mean 'm not putting it down.
Don't think I haven't envied those sleek young blonds.
- Oh no, no you're too busy.
I mean, well you don't get a chance to see them.
The way they move, all the time
the way they're moving if's...
It's very suggestive.
- Well so's walking if you think of it.
- But have you seen their faces?
No they're cold and they're without any emotion at all.
- Oh come now, what do you suppose you look like
when you're dancing?
What goes through your mind?
{laughs)
- No, I don't dance I told you that.
No, no I don't dance, not like that.
- Give me your coat.
Come on, come on.
- Ready pussy cat?
- Oh do you have 15 minutes?
- Darling tonight's Monday, not even 5 minutes.
- Oh well then you go on, I'll go home alone.
- If you're sure, goodnight.
- Goodnight.
{upbeat music}
Come on it's easy, all you have to do is shake your hips
from side to side, try it.
One, two, one, two.
There you go.
- [Pam] Miss Nielsen can I have a glass of water?
- Miss Nielsen?
- [Woman Recording] Called once but hung up right away.
- [Dave Recording] He hung up?
Why did he hang up?
- [Woman Recording] Because, 1 think he thought I was
somebody else.
- [Dave Recording] Did he continue to use foul language
in the second phone call?
- Look daddy I can see you in the mirror.
- [Woman Recording] To be very nice
so I would listen to him.
- [Dave Recording] You're a widow Mrs. Goran.
I mean do you go with anyone in particular?
Do you have a boyfriend?
- [Goran Recording] No.
(clicks}
- Dumb, dumb, dumb.
Miss Nielsen, wait til I come back.
(suspenseful music}
Wait a minute.
(suspenseful music}
(dramatic chord)
Hello, don't be afraid, I'm not gonna hurt you.
I'm a police officer.
Where's your brother?
- L was afraid of the noise.
Who, who was banging on the door?
- We met don't you remember?
At the zoo.
My daughter gave you her ball
Where's your brother?
{upbeat music}
J It could've been me walking by your side
7 It could've been me but girl I lied &
7 And cheated on you J
J And now that we're through what can I do
J It could've been me but I blew my chance &
J It kills me to see your new romance J
I was such a fool but now I'm in pain &
J For having my way J
I never thought you'd put me down &
7 But now I'm walking around with no place to go &
7 And I miss you so
71 wanted to shout it to the world &
7 That you were my one and only girl
7 My eyes have been red since you set me free
7 It could've been me &
J It could've been me but I blew my chance &
J It kills me to see your new romance J
I was such a fool but now I'm in pain &
J For having my way J
I never thought you'd put me down &
7 But now I'm walking around J
I With no place to go &
7 And I miss you so
71 wanted to shout it to the world &
7 That you were my one and only girl
7 My eyes have been red since you set me free
7 It could've been me &
I never thought you'd put me down &
7 But now I'm walking around J
I With no place to go &
I miss you so &
71 wanted to shout it to the world &
7 That you were my one and only girl
7 My eyes have been red since you set me free
J It would've been it should've been I
7 It could have been me &
- Are you alright?
- No I'm not.
Nora I love you.
- What?
- L waited so long to touch you.
Nora please.
Nora please, teach me.
Nora show me.
- Larry I-
- Nora please, please show me.
Don't throw my love away Nora.
- Don't! Don't!
- Nora!
Nora!
{bangs)
Please let me.
Please Il do anything.
- Don't touch me!
- I'll do anything Nora if you--
- Don't touch me!
(cries out}
- Why?
Why would with everybody else but me?
Why with every slob in the world but me?
Why Nora?
You're the same, you're no different than anybody else.
You're the same as any of them.
You're no different than anybody else.
{crying out)
- No! No!
- Oh God, I've been watching you.
{crying out)
Nora.
- Oh no God, no!
{crying out)
- Nora.
{crying out)
Oh you've been begging for it.
{crying out)
I know it's the way you look at me.
I've seen you, I've been watching you
you've been begging for me.
{crying out)
Oh Nora, Nora.
{crying out)
{morose music)
{whacking}
{sobbing)
- My shoes.
L lost my shoes.
(dramatic music)
{horn beeping)
(dramatic music)
{police whistle blowing) (dramatic music)
{tyres squealing) {dramatic music)
{horn beeping) (dramatic music)
{gun firing)
(dramatic music)
{guns firing}
7 Tell me who killed teddy bear &
1 Doesn't anybody care
7 That I miss him &